9/14/12
Slice + diffuser test
Yuri Endo 2012
Compared to my previous test ( without diffuser), the luminosity kept inside of the box better.
Acrylic slice + diffuser experiment
Yuri Endo 2012
For this second experiment, once again following professor Hall's advice, I inserted black craft paper in between each acrylic slice as diffuser.
9/13/12
Slicepod test
Yuri Endo 2012
As the first image shows, no image was reflected through the slices when seen from the side. Similar to the glass prism, the image should be seen from above in order to capture the animation.
Acrylic slice experiment
Yuri Endo 2012
For this experiment, following professor Hall's advice, I replaced the glass prism with acrylic slices ( 50 × 50 × 2 mm, 24 slices )
9/10/12
9/9/12
Typography test video 001
Typo_Test_anim from Yuri Endo on Vimeo.
Based on the graphics I created in the previous post, I made a short animation which would play under the glass prism.
Test graphic: typography
Yuri Endo 2012
Prior to proceed with designing refined graphics, I run a quick test to see how typography look through the prism pod.
Above is a test graphic consists of Japanese and Korean characters.
>> STYLE 001 Japanese
Three ways of writing the word Hikari, which is Japanese for light (or luminosity).
A. 光 (Kanji/Chinese)
B. ひかり(Hiragana)
C. ヒカリ (Katakana)
* Used typeface: Osaka
>> STYLE 002 Korean * Used typeface: Arial Unicode MS
Three different words, which I believe to signify light (or luminosity) in Korean.
A. 빛
B. 발광
C. 불
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